“Harlem
Renaissance”

The “Savoy Ballroom”
On Lenox Avenue in Harlem
What is ….?
Originally
called the New Negro Movement, the “Harlem Renaissance” was a literary and intellectual flowering that fostered a new black cultural identity in
the 1920s and 1930s. Critic and teacher, Alain Locke, described it as a "spiritual coming of age" in which the black community was able to seize upon
its "first chances for group expression and self determination." With racism still an issue of rampant and economic
opportunities scarce, creative expression was one of the few avenues available to African Americans in the early twentieth
century. Chiefly literary—the birth of jazz is generally considered a separate movement—the Harlem Renaissance, according to Locke,
transformed "social disillusionment to race pride."
Significance…?
The “Harlem Renaissance” changed forever the dynamics of African American arts and
literature in the United States. With extensive research, it was found that in the 1930’s and 40’s
that publishers as well as the public were more open to African American literature than in they in they were in the beginning
of the century. Writers such as Ralph Ellison and Richard Wright were inspired by the literature from the Renaissance
period to pursue their careers in literature even though they were against the ideologies and literary practices of the Renaissance.
The influence of the “Harlem Renaissance was not confined to the United States. Many writers (some listed below)
traveled to Europe and attained a popularity abroad that rivaled what they achieved in the United States. Around the
world, a large quantity of African Americans, signify that the “Harlem Renaissance” was proof that whites did
not hold a monopoly on literature and culture.
Gwendolyn Bennett Countee Cullen
Zora Neale Hurston
Arna Bontemps
W.E.B. Dubois
Alaine L. Locke
Marita Bonner
Marcus Garvey
James W. Johnson
Sterling A. Brown Langston Hughes Jean Toomer